百灵达 Behringer WING 数字调音台相关专业术语中英文对照
| 英文 | 英文全称 | 中文 |
|---|
| 2-T rack | | 2轨磁带、in输入和out输出 |
| AFL | After-Fade Listen | 推子后监听 |
| All-pass filters | | 全通滤波器 |
| ATT | ATTACK | 启动 |
| Attack Time | | 启动时间 |
| AUTO | | 自动 |
| AUTO ENV | AUTO ENVELOPE | 自动包络 |
| AUX | Auxiliary | 辅助 |
| Aux.return | Aux.RTN、Aux.RET | 辅助返回 |
| Aux.send | | 辅助发送 |
| Balance | | 平衡 |
| Band Pass | | 带通 |
| BAND SOLO | | 频带独奏 |
| Bandwidth | | 频率带宽、频带 |
| BOOST | | 激励 |
| Bypass | | 直通、旁路 |
| BPF | Band Pass Filter | 带通滤波器 |
| BUS | | 总线、母线（不建议） |
| Cathedral Reverb | | 教堂式混响 |
| Chamber Reverb | | 密室型混响 |
| Channel | | 通道 |
| Chord | | 和弦 |
| Chorus | | 合唱 |
| Clip | | 削波 |
| COMP | Compressor | 压缩器 |
| Compress | | 压缩 |
| Console | | 调音台/终端 |
| Cue | | 提示、监听 |
| Damping | | 阻尼 |
| dB | Decibel | 分贝 |
| DECAY | | 衰减 |
| DENSITY | | 密度（控制反射的初始密度） |
| Depth | | 深度 |
| DETECTOR | | 检测器 |
| DIFFUSION | | 扩散、扩散度（反射声的无规律程度） |
| Digital | | 数字 |
| Direct | | 直接的输出插口 |
| Distortion | | 失真 |
| Dither | | 抖动 |
| DLY | Delay | 延迟 |
| DRIVE | | 失真深度、激励电平 |
| Drum | | 鼓 |
| Dry | | 干声 |
| Echo | | 回声 |
| Edit | | 编辑 |
| ENVELOPE | | 包络 |
| EQ | Equalizer | 均衡器 |
| ER | Early Reflection | 早期反射声 |
| EXPANDER | | 扩展器 |
| Fader | | 推子、衰减器 |
| FEED | FEEDBACK | 回授、延迟反馈声 |
| Filters | | 滤波器 |
| Fine | | 微调 |
| Foldback | | 返送、监听 |
| FREEZE | | 冻结 |
| FREQ | FREQUENCY | 频率 |
| Frequency Fine | | 频率微调 |
| FX | Effects | 效果器 |
| GAIN | | 增益、模拟增益、放大量 |
| GATE | | 噪声门 |
| Gate | Noise Gate | 噪声门 |
| GEQ | Graphic Equaliser | 图示均衡器 |
| Graphic Equalizer | | 图示均衡器 |
| Group | | 编组 |
| Guitar | | 吉他 |
| Gymnasium Reverb | | 体育馆混响 |
| Hall Reverb | | 大厅混响 |
| Hard Knee | | 硬拐点 |
| Harmonic Generator | | 谐波发生器 |
| HC | High Cut | 高切 |
| HF | High Frequency | 高频段 |
| HI CUT | High Cut | 高切 |
| HI-MID | High Middle | 中高频 |
| HIGH | | 高频 |
| High Shelve | | 高频搁架 |
| HOLD | | 保持 |
| Hold Time | | 保持时间 |
| HP | Headphone、Phones | 耳机 |
| HP | High Pass | 高通 |
| HPF | High Pass Filter | 高通滤波器 |
| IN | INPUT | 输入 |
| Input Gain | | 输入增益 |
| INS | Insert | 插入口、又出又进插口 |
| Invert | | 反转、反向 |
| KEY FILTER | | 触发信号滤波器 |
| KEY SOLO | | 触发信号独奏 |
| KEY SOURCE | | 触发信号源 |
| KNEE | | 拐点 |
| L-R | Left-Right | 左-右 |
| LC | Low Cut | 低切 |
| Level | | 电平 |
| LF | Low Frequency | 低频段 |
| Limiter | | 限幅器 |
| Line | | 线路输入插口 |
| LMF | Low-Mid Frequency | 中低频段 |
| LO CUT | Low Cut | 低切 |
| LO-MID | Low Middle | 中低频 |
| LOW | | 低频 |
| Low Ref | Low Reference | 低电平峰值参考 |
| Low Shelve | | 低频搁架 |
| LP | Low Pass | 低通 |
| LPF | Low Pass Filter | 低通滤波器 |
| Main Out | | 主立体声母线、主输出 |
| Main Sum | | 混合单声 |
| MakeUp | | 增益补偿 |
| Master | | 主输出、主控 |
| Material | | 素材 |
| MATRIX | | 矩阵输出 |
| Meter Assign | | 表头设定 |
| METERS | | 电平表 |
| MF | Mid Frequency | 中频 |
| MHF | Mid-High Frequency | 中高频 |
| Mic | Microphone | 话筒、麦克风、传声器 |
| MID | | 中频 |
| MIX | | 混合（比例） |
| Mixer | | 调音台、混音器 |
| Mode | | 模式 |
| Monitor | | 监视、监听、监视器、监听音箱 |
| Mono | Monaural | 单声道 |
| MSD | Mass Storage Device | 大容量存储设备 |
| Music | | 音乐 |
| MUTE | | 哑音、静音 |
| Noise | | 噪声 |
| ON | | 接通、打开 |
| OSC | Oscillator | 振荡器 |
| OUT | OUTPUT | 输出 |
| Output Gain | | 输出增益 |
| Pad | | 定值衰减 |
| Pan | Panning | 声像 |
| Peak Ref | Peak Reference | 高电平峰值参考 |
| PEQ | Parameter Equalizer | 参量均衡器 |
| PFL | Pre-Fade Listen | 推子前监听 |
| Phantom | | 幻像电源 |
| Phase | | 相位 |
| Pitch | | 音高 |
| PK | PEAK | 峰值 |
| Plate Reverb | | 板式混响 |
| Position | | 档位 |
| Power Switch | | 电源开关 |
| PRE DLY | Pre Delay | 预延迟时间 |
| Processor | | 处理器 |
| Program | | 节目 |
| Pulse | | 脉冲 |
| Quantize | | 精度 |
| Quartz Oscillator | | 石英晶体振荡器 |
| Rate | | 速度 |
| RATIO | | 比率、压缩比 |
| REDUCTION | | 衰减、降低 |
| RELEASE | | 释放 |
| Release Time | | 释放时间 |
| Reverb | | 混响 |
| RMS | Root Mean Square | 均方根/有效电平 |
| Room Equalizer | | 房间均衡器 |
| Room Reverb | | 房间混响 |
| Routing | | 路由 |
| RTA | Real Time Analyzer | 实时频率分析器 |
| SC | StageCONNECT | 一种音频接口 |
| SELECT | | 选择 |
| SETUP | | 设置 |
| Shelving Equalizer | | 搁架式均衡器 |
| Shelving filter | | 搁架式滤波器 |
| SHV | Shelve | 搁架 |
| Side Chain | | 侧链 |
| Slate | | 标记 |
| Size | | 空间大小 |
| Slope | | 斜率 |
| Soft Knee | | 软拐点 |
| SOLO | | 独奏 |
| SPL | Sound Pressure Level | 声压级 |
| SPREAD | | 扩展（控制混响的立体声宽度） |
| ST | Stereo | 立体声 |
| Store | | 储存 |
| Sub | Subwoofer | 超低音扬声器 |
| Sub.in | | 附加输入 |
| SURFACE | | 外观 |
| SUSTAIN | | 延音 |
| Sweep Frequency | | 扫频 |
| Switch | | 开关 |
| Tape | | 磁带输入插口 |
| TB | TalkBack | 对讲 |
| Tempo | | 速度 |
| THR | THRESHOLD | 阈值、门限 |
| TILT | | 倾斜 |
| Trigger | | 触发 |
| TRIM | | 微调、数字增益 |
| Unbalance | | 非平衡 |
| Value | | 数值 |
| Volume | | 音量、磁盘 |
| Wet | | 湿声 |
| XOVER NODE | CROSSOVER MODE | 交叉模式 |